Anthropology
Native

Jack Gladstone’s new release, “Native Anthropology”, is a landmark recording achievement in a career that has spanned almost three decades. A tapestry of new compositions highlight Consumerism, Petroholism, Caffeine Addiction, Patriotism, Spiritualism, Native Mysticism and reflective Self-criticism. Musical styles include Middle Eastern, Folk, Gospel, Soft Rock, A Cappella and Native Americana.With a triad of Grammy nominated associates, R. Carlos Nakai (flute), Will Clipman (percussion) and Philip Aaberg (piano and co-producer), the album reflects Gladstone’s musical genre. Co-produced by legendary multi-instrumentalist David Griffith and Montana’s own Phil Aaberg. “Native Anthropology”

is Gladstone’s most complex and timely album to date.


“Challenge, Choice and Promise in the 21st Century”.

 

    Lyrics to Songs:

1        Native Anthropology.pdf

2        Wolves Of Ice & Snow.pdf

3        Fossil Fuel Sinner.pdf

4        Chapel of Sea.pdf

5        Daily Grind.pdf

6        Two Flag Songs.pdf

7        Remembering Private Charlo.pdf

8        Wild Turkey

9        Wide Track Pontiac.pdf

10        Rainbow Medley.pdf

11        Providence Ferry.pdf

12        Kaptain Amerikan.pdf

13        Conspicuous Consumption.pdf

14        Restless, Irritable & Discontent.pdf


           Native Anthropology Credits.pdf

Jack Gladstone
“Montana’s Blackfeet Troubadour”


Native Anthropology

“Challenge, Choice and Promise in the 21st Century”

Blackfeet balladeer Jack Gladstone showcases music from his latest album,"Native Anthropology," Saturday during a free presentation at the Lewis and Clark Interpretive Center. He appears from 2 to 3 p.m.

Co-produced with Philip Aaberg and David Griffith, Gladstone's 15th album is arguably his most elaborate to date. More than 100 people contributed to the album in some capacity, including the Thomas Jefferson Elementary School Honors Choir in Helena and the Glacier High School Echos Honors Choir in Kalispell.

Terrance Guardipee, who Gladstone refers to as "probably the hottest American Indian artist in the country right now," provided cover and liner art.

The album's lush tonal landscape comes courtesy of an eclectic range of instrumentation, including Native American hand flutes and drums, mandolin, bazuki, autoharp, mandolin, Dobro, fiddle, cello, saxophone, organ and shakuhachi flute, along with acoustic guitars, bass and percussion.

In a recent phone interview, Gladstone called the album "the most musically diverse album I've ever done."

The album's subtitle is "Challenge, Choice and Promise in the 21st Century." As the subtitle implies, an overriding theme presented in the recording's 14 tracks is raising the collective consciousness of current societal maladies and, drawing from a traditional Native American world view, relying on the mutual spiritual interconnectedness of humankind and the natural world to overcome challenges in the new century.

"On this planet, especially in this country, we are faced with an enormous challenge to grow up," Gladstone mused, "and to recognize that we are interdependent with the rest of the planet, people, creatures and biosphere. We have the opportunity to rise to the occasion and help our own survival."


 

Dependence on fossil fuels and reckless consumerism are examined in the songs "Fossil Fuel Sinner" and "Conspicuous Consumption."

"We're in a fossil fuel-based reality right now," Gladstone said. "We're behaving as if we can continue indefinitely at this level of consumption.”

Gladstone stressed that in making observations, he's assuming the role of the Native American Trickster for a purpose.

"I understand anytime I point the finger at someone else, there are three pointing back at me," he explained, "so I'm making fun of myself as an American, and I'm trying to point out the irony and the tragedy that we are unfolding. I'm not pointing fingers without recognizing that I, too, am part of the problem."

The centerpiece track on the album is "Remembering Private Charlo," which pays tribute to the Bitterroot Salish Indian who participated in the first raising of the U.S. flag on Iwo Jima while serving in the Marines.

The song spans several "movements" that include Native American verses, F.D.R.'s "Infamy Address" as well as poetic references to USMC boot camp and the U.S.S. Missoula. Gladstone's extensive research crafting the song included interviews with six Iwo Jima veterans, some of whose voices are featured in narrative. Gladstone noted the song's message alludes to a reverence for unity among races and cultures.

"The extension of that reverence, that respect and that friendship that was established between Lewis and Clark and the Bitterroot Salish ultimately culminated in in one of the sons of the Bitterroot Salish helping raise the first flag on Iwo Jima and also dying on the island trying to save a fellow Marine," Gladstone explained. "The important thing is that Charlo demonstrated the finest quality that we can find in a human being is that spontaneous willingness to sacrifice his life for a fellow human being and a fellow American. That's what it's all about."

While obviously proud of his latest recording, Gladstone seems to view himself simply as a humble messenger. "This album is almost like jumper cables," he said with a chuckle. "I would like to entertain, inspire and maybe in my own way enlighten."


 

by Pete Swanson

Cover Art by Terrance Guardipee

“Wide Track Pontiac” by Terrance Guardipee
www.JackGladstone.com 
  P.O. Box 7626 
Kalispell, Montana 59904-0626
(406) 250-7038 
  email: Info@JackGladstone.com