Buffalo Republic is the second album in a trilogy continuing the historical
theme begun with Buffalo Cafe. Ten new songs provide melodic snapshots of
people, events and legends as Jack Gladstone chronicles the transformation of
Western American culture in his eighth album.
The name evolved from the term “banana republic” but has morphed itself
into western Americana. On the title cut, Jack plays a marimba style guitar
while producer Lloyd Maines adds his polished pedal steel. It’s a sound that
Jack refers to as “High Plains Caribbean.”
Touching on the mythological period, Shadow in My Dreams tells the story of
the Blackfeet superhero Kut-toy-Is, who emerges to rid the world of evil
chiefs and monsters, thereby restoring balance and harmony.
There are two songs on the album about the Lewis and Clark Expedition.
In Traveling Magical Show Jack takes a somewhat humorous, but factual, look
at the Expedition and why it succeeded. “The Corps of Discovery would have
failed if it had not been for their ability to entertain the Native peoples
with their ‘magic’ tricks,” says Gladstone. “Using American technology
in conjunction with music and dance resulted in food, scouts and the horses so
desperately needed to complete the mission.”
In Search Of York is an epic tribute to Captain Clark’s “body
servant” who accompanied the Corps.
It was the remembrance of the movie Blazing Saddles coupled with intensive
research on 1860s Montana history that created a bluegrass-type number called
Bozeman Trail. “The Bozeman Trail shaved off over 400 miles for the gold
seekers. Unfortunately, it ran through the heart of Sioux and Cheyenne hunting
ground...and the fight was on” adds Jack.
The dark side of Manifest Destiny emerges in a ballad about the Cherokee
people entitled For Those Who Cried. “Much has been written about the
infamous Trail of Tears, but I felt inspired to put into perspective our
nation’s early deeds in light of today’s “ethnic cleansing” abroad.”
In 1832, the U.S. Supreme Court ruled in favor of the Cherokee Nation in
Worcester vs Georgia, affirming Indian nations’ sovereign status and the
obligation of the U.S. to respect this status. The subsequent actions of
President Andrew Jackson ignored this ruling and the Cherokee were ultimately
removed from their
homes in the winter of 1838-39. Four thousand Cherokees died on the forced
march to Indian Territory (Oklahoma).
Go Fishin’ is a fun little ditty that encompasses personal experience,
Western military history and recent Montana headlines. To Build A Fire is a
sobering reckoning with the ambition found in gold fever and is rooted in a
Jack London short story of the same name.
How does Jack feel about this new album? “I feel this is, by far, the
best produced album of my career. I felt so comfortable working with Lloyd
Maines and the personnel in both Montana and Austin. It was such an incredible
group of musicians who worked on the project. If I was to pick my dream band,
the players on this album would be it.”
Musicians involved in the project include percussionist Scott Powell, bass
player Gary Snow, mandolinist David Griffith, fiddle/violin virtuoso Gene
Elders, and of course, the masterful Lloyd Maines. "There's something a
little different in this album in that we included cello on quite a few songs.
It's an instrument that I've wanted to use on my albums for quite a while
because it evokes so much emotion. By chance two summers ago, I met cello
player Max Dyer, a Montana native now residing in Houston, Texas. His wealth
of talent and incredible discipline learned while playing for the Houston
Symphony makes Max the most veratile cello player I've ever seen. It was
really fun working with him." Dr. Kendall Flint added harmony vocals.
The album cover features the stunning artwork of David Behrens from North
Carolina, entitled “Founding Fathers,” which also happens to be the title
of the anthem that completes the new CD. In the clouds above Mt. Rushmore are
the images of four famous Indian leaders who fought for their people’s
freedom and homeland. Like Jack, David likes to choose a historical topic or
event, research it thoroughly and then create his artwork. “I am honored
that David has granted us permission to use his work on the album. In addition
to being a beautiful piece of art, it conveys a strong message -- that history
should be told through multiple perspectives. That is my artistic philosophy
as well.”
CREDITS
The Buffalo
Republic Team
Produced by Lloyd Maines and Jack Gladstone
Engineering and Recording
Fred Remmert, Lloyd Maines and Adam Oder at Cedar Creek Recording, Austin TX
David Griffith, Ron Reeves and Jack Gladstone at Tapas Records, Missoula,
MT, Snoring Hound Studio, Somers, MT and Napi Elementary School, Browning,
MT
Additional recording at John Wagner Studios, Albuquerque, NM by Dick Orr
Mixed and Mastered by Fred Remmert at Cedar Creek Recording, Austin, TX
Musicians
Jack Gladstone
– acoustic 6-string guitar, lead and harmony vocals
Scott Powell – drums, conga and percussion
Gary Snow – electric bass
Lloyd Maines – pedal steel, dobro, lap steel, baritone guitar, lead acoustic
guitar
Kendall Flint – harmony and background vocals
Max Dyer – cello
Gene Elders – fiddle
David Griffith – mandolin, synthesizer
Bukka Allen – accordion
Fred Remmert – organ, percussion
Gayle Ross, Lloyd Maines – background vocals on “Those Who Cried”
Wally Gladstone, Dave McNeely, Lloyd Maines – boatman’s chant on “In Search
of York”
Napi Elementary School, Blackfeet Indian Reservation – “Pledge of
Allegiance”
All Songs Words and Music by Jack W. Gladstone
Ó2000 Glacier Pacific Publishing/BMI, except “Traveling
Magical Show” by Jack W. Gladstone and Kendall S. Flint Ó2000
Glacier Pacific Publishing/BMI
Art Direction and Design by Gary Bedell at Disc Makers, Seattle
Cover Art: “Founding Fathers” by David C. Behrens
(Prints available from David at 7323 Barn Stone Drive, Charlotte, NC 28227
704-545-0069
davidbehrens@ratedg.com)
Back cover photo by Richard Brimley
Jack Proudly uses and endorses Elixir Strings and Taylor Guitars.
Heartfelt
Thanks and Hugs
to my dad,
Wally, for road manager duties, Dr. Kendall Flint for his constructive
critical input, Dave McNeely for making Austin feel like a second home, Chip
and Sandy Watts for suggesting “Bozeman Trail,” John Toomer and Porter
Williams for sharing York, Stephen Ambrose for his words of encouragement ,
Dave Walburn for setting the crossbars even higher, Gayle Ross for her voice
and blessing on “Those Who Cried,” Carol and David Domina, Warner Huss,
Steve and Peg Forster, Sjouke Van Poucke – our “daughter” from Belgium who
has become a very special member of our family, and foremost in my heart,
Linda, Mariah and Scot, for their patience and love through the circle of
seasons.
Additional
Thanks and Hugs
to Dr. Michael
Bull and Mr. Beckett of Napi Elementary and their fine students who recited
the “Pledge“, Brad Persinger, Music Teacher at Stanford, MT, for his
expertise in helping me convert key musical passages to written notation and
David Behrens, a kindred spirit, for granting permission to utilize his
classic “Founding Fathers” artwork for the cover.
Special Hugs and Thanks
to the Bastian Family – Ann, Ed, Marianne and Lesley, whose resolute
strength and dignity after the passing of Ken made the writing of “Founding
Fathers” possible.
Dedicated
to Dr. Ken
Bastian, who taught me through example, the importance of transcending
politics to better serve the world in which we live.
